By Haruki Murakami
Kan vi verkligen säga att världen existerar så som vi uppfattar den? Hur är världen egentligen skapad? Hur samverkar det som nu existerar med det förflutna? Och hur påverkar nuet framtiden? Haruki Murakamis största litterära satsning någonsin utmanar vår uppfattning om sanning och tid - och vad som egentligen kan rymmas i en berättelse.
Aomame åker på motorvägen i en taxi. Hon har bråttom males fastnar i trafiken. Eftersom hon är försenad until ett viktigt och hemligt arbetsmöte får hon ett märkligt förslag av chauffören: att ta en trappa som leder ner från motorvägsbron. Hon tackar ja och kort därefter börjar hon känna sig frånkopplad världen utanför. I ett slag är hela hennes tillvaro förändrad och hon står snart inför grundaren av en religiös sekt.
Tengo är en ung guy som vill uppfylla sin dröm om att bli författare. En vän until honom, som knappast är en särskilt begåvad författare, börjar allt mer att styra hans liv när hon bestämmer sig för att ställa upp i en litterär tävling. until Tengo påstår hon att den bygger på egna erfarenheter, ändå tycks ingenting stämma. Plötsligt är det som om någon drar undan mattan för det han alltid tagit för givet är sanning.
På olika sätt möts Aomame och Tengo och de börjar sakta närma sig varandra. Det är som om de vore beroende av varandra. males frågan är om det är möjligt för dem att någonsin mötas i den verkliga världen som de tror sig leva i. Kanske är det kärlek, eller så är det något som är mycket mer komplicerat än så.
Det här är första delen i trilogin 1Q84.
Översättare: Vibeke Emond
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Extra resources for 1Q84. Första boken
Finally, however, he was slain by Hector. After much difficulty, the Greeks were able to secure his naked body and they withdrew with it to their lines. Achilles, deeply grieved at the loss of his friend, refused to permit the rites of burial until he had avenged the death of Patroclus. This he did and the funeral occurred with the slaughter of twelve Trojan men over the body of Patroclus. Penelope here is very much concerned that Patroclus had been unable to survive by utilizing deceit. Clearly, her fear is that Ulysses, who is known for his skill at using deceits, might also fail to survive.
While Medon is here called ‘cruel’, in point of fact in the Odyssey his life is spared by Ulysses when Telemachus requests it. While Ovid and his readers would have known the outcome of the story, in fact Penelope as she writes this could not have foreseen the consequences of Ulysses’ return. As the story is told in the Odyssey, Antinous was the first to die when Ulysses and Telemachus charged the banqueting hall. After the death of Antinous, Ulysses revealed himself to the suitors, and Eurymachus tried to lay the blame for all the waste and depredation on the dead man.
She urges him to prosecute the war so that peace may quickly be won and he can return to her. At the same time she knows of an oracle which prophesies the death of the first Greek to set foot on Trojan soil. Though it must seem improbable that this one man out of so many should be the one to die in this way, the reader already knows that in fact Protesilaus will impetuously jump from his ship and soon enough become the first Greek casualty. While Laodamia is being most conventional in her plea that Protesilaus hurry home to her, the fact is that even if he survived the war he would not be free to return until the war had ended.
1Q84. Första boken by Haruki Murakami