By Victoria Charles, Hans-Jürgen Döpp, Joe A. Thomas

ISBN-10: 1783109378

ISBN-13: 9781783109371

Assorted eras and civilisations have taken care of erotic pictures with various reputation and assorted recommendations of erotica and those trends are mirrored in the works themselves. From historic statues dedicated to fertility to Renaissance engravings designed to inspire procreation inside of marriage, erotic artwork has constantly held a massive position in society. the following, for the 1st time, 1,000 genuine pictures of erotic artwork were introduced jointly, spanning the centuries and civilisations to illustrate the evolution of the style. In an period comparable to ours while eroticism is considerable in advertisements and the media, this e-book offers a clean perception into the historical past of erotic imagery, highlighting the inventive worth of gorgeous works of eroticism carried out with skill.

creation; From Prehistory and Primitive kinds to Antiquity and the Perfection of the physique; the center a while: A go back to Prudery; The Renaissance: The Golden Age of the physique 1453-1563; The attractiveness of the physique 1563-1810; Realism and the physique 1810-1922; The many years of Promise 1922-1960; The Revolution of the physique 1960-2000s; Chronology; Index

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Marble, h: 96 cm. Musée du Louvre, Paris (France). Copper, h: 91 cm. Archeological Museum, Thessaloniki (Greece). E. E. Marble, h: 174 cm. Musée du Louvre, Paris (France). E. and later, because her renowned beauty provided an acceptable excuse for an erotic representation of the female body. In Roman art and mythology, Aphrodite became Venus, goddess of love. To the Romans she had a more elevated status, seen as the progenitor of the line of Caesar, Augustus, and the Julio-Claudian emperors, and by extension as an embodiment of the Roman people.

Lysippos made many statues of Alexander the Great, and so satisfied his patron, no doubt by idealising him, that he became the king’s court sculptor; the king and his generals provided numerous commissions. Portraits of Alexander vary greatly, and it is impossible to determine which among them go back to Lysippos. As head of the great athletic school of Peloponnese, Lysippos naturally sculptured many athletes; a figure by him of a man scraping himself with a strigil was a great favourite of the Romans in the time of Tiberius; it has usually been regarded as the original copied in the Apoxyomenos of the Vatican.

Musée du Louvre, Paris (France). Marble, h: 96 cm. Musée du Louvre, Paris (France). Copper, h: 91 cm. Archeological Museum, Thessaloniki (Greece). E. E. Marble, h: 174 cm. Musée du Louvre, Paris (France). E. and later, because her renowned beauty provided an acceptable excuse for an erotic representation of the female body. In Roman art and mythology, Aphrodite became Venus, goddess of love. To the Romans she had a more elevated status, seen as the progenitor of the line of Caesar, Augustus, and the Julio-Claudian emperors, and by extension as an embodiment of the Roman people.

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1000 Erotic Works of Genius by Victoria Charles, Hans-Jürgen Döpp, Joe A. Thomas


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