By Jan Lloyd Jones
What then is time?' wrote St Augustine. 'If not anyone asks me i do know. If I desire to clarify it, i do know not'. Time is a not easy suggestion for philosophers, yet no much less so for the artist, critic, and paintings theorist. The participants to this selection of essays, who signify humanities disciplines from universities around the world, have taken up this problem, delivering quite a number views at the subject 'Art and Time'. a few interact with the vast philosophical matters at stake, a few with the which means of time for specific artists or artistic endeavors - from Fra Angelico to Frank Lloyd Wright, from Hamlet to The Lord of the earrings, from Renaissance dance to rave track. All search a solution to Augustine's query once we ask it within the context of inventive endeavour. As Derek Allan writes within the creation to this assortment, 'Surprisingly little has been written approximately artwork and Time in recent years, even in these educational disciplines comparable to the philosophy of artwork during which one could such a lot anticipate to come across it'. the subject is, besides the fact that, of accelerating curiosity and this quantity is a reaction to that development. Read more...
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Additional resources for Art and time
IV, 13, 222a 17; also 223 a 22–3. 16 “The ‘continuous’ is a subdivision of the contiguous: things are called continuous when the touching limits of each become one and the same and are, as the word implies, contained in each other: continuity is impossible if these extremities are two”. Aristotle, Phys. V, 3, 227a 10–15. , VI, 3, 234 a 3–24, where Aristotle says that the present is something that is an extremity of the past (no part of the future being on this side of it) and also of the future (no part of the past being on the other side of it).
But such changes do not affect the substance of changing beings, as they are only accidental changes: 36 Art, Eternity, Aevum, Time something that differentiates it from time. This notion of aevum, as a middle term between eternity and time, is a result of the controversy following the acceptance of Aristotle’s works by the universities, since the question of the time-eternity relationship was associated with the world-God relationship. For Aquinas, only God is eternal. Bodily creatures, subjected to generation and corruption, exist in time.
Hence also the argument with regard to human freedom — and its need to be guided and disciplined — in Purgatorio XVI. 73ff, so central thematically, as well as numerically, to the cantica. This freedom is exercised eminently in the art of poetry, where self-fashioning through interpretation opens up possibilities for freedom vis-à-vis one’s whole world of experience. The Purgatorio teaches that a genuine participation in divine reality is fashioned over time by assiduous human effort, and poetry is exalted as the model for this human endeavour of self-fashioning in the divine image.
Art and time by Jan Lloyd Jones