By Danny Gregory

ISBN-10: 1452140588

ISBN-13: 9781452140582

Choked with the signature can-do angle that makes liked artist Danny Gregory a creativity guru to hundreds of thousands around the globe, this targeted consultant serves up a hearty aiding of concept. For aspiring artists who are looking to draw and paint yet simply can't appear to locate time within the day, Gregory deals 5– to 10–minute workouts for each ability point that healthy into any schedule—whether on a aircraft, in a gathering, or on the breakfast table—along with useful guide on innovations and fabrics, plus recommendations for making paintings that's interesting, unintimidating, and satisfying. choked with Gregory's encouraging phrases and motivating illustrations, artwork ahead of Breakfast teaches readers the way to advance an artistic behavior and lead a richer lifestyles via making paintings.

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Extra resources for Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are

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The greater length of the trunk as viewed from behind will be observed on comparison with the front view. The lines across the back are drawn through the shoulders, the lower end of the thorax, the iliac crests, and the gluteal fold. THE BONES IN RELATION TO OUTLINE OF FIGURE. SIDE VIEW. PARTS OF THE BONES WHICH DIRECTLY AFFECT THE SURFACE FORM—SIDE VIEW. THE BONES AS IN ACTION—FRONT VIEW. THE MUSCLES AS IN ACTION—FRONT VIEW. —BACK VIEW. —BACK VIEW. —SIDE VIEW. —SIDE VIEW. DETAILS OF THE FACE. MUSCLES OF THE HEAD.

BONES. MUSCLES. FRONT VIEW OF THE LOWER LIMB. BONES. MUSCLES. INNER VIEW OF THE LOWER LIMB. BONES. MUSCLES BACK VIEW OF THE LOWER LIMB. BONES. MUSCLES. OUTER VIEW OF THE UPPER LIMB. BONES. MUSCLES. FRONT VIEW OF THE UPPER LIMB. BONES. MUSCLES. INNER VIEW OF THE UPPER LIMB. BONES. MUSCLES. BACK VIEW OF THE UPPER LIMB. BONES. MUSCLES. THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW CONSTRUCTION LINES OF THE STANDING FIGURE. FRONT VIEW. Fig. 1 Fig. 2 In the above diagrams, Fig. 1 shows the leading constructive lines when the figure is standing upright and resting on both legs.

BONES. MUSCLES. BACK VIEW OF THE UPPER LIMB. BONES. MUSCLES. THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW CONSTRUCTION LINES OF THE STANDING FIGURE. FRONT VIEW. Fig. 1 Fig. 2 In the above diagrams, Fig. 1 shows the leading constructive lines when the figure is standing upright and resting on both legs. In this position the line passing through the shoulders, and that drawn across the antr. supr. spines of the Pelvis, are both obviously at right angles to the vertical axis of the body.

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Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are by Danny Gregory


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