ISBN-10: 1564788865

ISBN-13: 9781564788863

This excellent number of texts by means of and approximately Barbara Wright—“the such a lot exceptional, conscientious and unique translator of twentieth century French literature”—begins the paintings of accurately commemorating a determine towards whom all of English letters owes an unpayable debt.
Legendary writer and author John Calder stated of Barbara Wright that she was once “the such a lot exceptional, conscientious and unique translator of twentieth century French literature.” Wright brought to an English-speaking readership and viewers the most leading edge French literature of the final hundred years: an international with out Alfred Jarry’s Ubu, Raymond Queneau’s Zazie, and Robert Pinget’s Monsieur Songe scarcely bears wondering. this glorious choice of texts approximately and by means of Barbara Wright—including paintings by way of David Bellos, Breon Mitchell, and Nick Wadley, in addition to a formerly unpublished screenplay written and translated via Wright in collaboration with Robert Pinget—begins the paintings of correctly commemorating a determine towards whom all of English letters owes an unpayable debt. 

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Extra info for Barbara Wright: Translation as Art

Sample text

Whethe r robust o r weakl y, one and all were forced to wear the same style of cor set o r pay the extremely high prices demanded b y the c ustom maker. It is not to b e wonde red at tha t many women to da y ca n trace present ill ·health to the wearing o f corsets that were n ot in any way adapted to their forms o r con5 ti tutions. Improvements. even m this old style o f cor set. were made~ it is true. from time to time. but it was not until the adoption u 1 the single-strip corsets that the possibilities for making garmen ts that w o uld be hygienic as well as comfortable, while affo rding all necessary s upport, began to b e realized.

Abo ut 1559, fashion held s uc h d espotic swa y thro ug h o ut the continen t of Europe tha t the Emper o r 1oseph uf Austria passed a law rigoruusl y forbiddi~g the use o f the cor set in all nunneries and · places where young females were educated. And no less a threat than tha t of excommunicati on hung over the heads of those damsels who persisted in the practice of confining their waists with such evil instrun1ents as stays. This royal command startled the College o f Phys icians into a cti vitY and learned dissertations on the cr y ing sin of the tightlaced ladies of the time.

The Directoire era began with its highwaisted gown loose to the figure. A band was worn, exte nding slightly upward in the center fro nt. Later this belt was replaced by a boneless corset. :omposed of whalebone or hardened leather but of bars of iron and steel from three to four inches broad and many of them 53 BIZARRE not less than eighteen inches in length. At the same period, the appearance o f " L a inon" created a fur o r. " In the decade 1820 t o 1830~ there occurred m France what can rig htly be te r med the birth of the cor set indus try.

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Barbara Wright: Translation as Art

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