By Stiftung Bauhaus Dessau
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Extra info for Das Bauhausgebäude in Dessau
1935), Kathryn Haugh Clark (b. 1944), Mary Ann Davis (b. 1954), Steve Dodge (b. 1947), Lynn Dunbar (b. 1959), James Wille Faust (b. 1949), Beth A. Forst (b. 1958), Nancy Foureman (b. 1944), Vivian Gladden (b. 1948), Chris Griffin-Woods (b. 1950), Gwendolyn (Gwen) Gutwein (b. 1950), Rosanna Hardin Hall (b. 1934), Margaret Peters Hanke (b. 1945), Ray Hassard (b. 1949), Tricia Hillenburg (b. 1969), Thomas A. Himsel (b. 1952), Corrine Hull (b. 1940), Rebecca Justice-Schaab (b. 1948), Jeff Klinker (b.
Has the potential to seriously compromise the end result and this would be tragic. As a founding member of IPAPA, I wish to have my voice recorded, respectfully requesting this percentage requirement be deleted. In the first Painting Indiana work, we were required to start the work on location, doing as much as we could at the time, and returning to the location as often as we wished. We were then free to redress and finish the work as much as we believed necessary in the studio, no percentage required.
For paintings to be executed in the studio, the artist made pencil sketches of the outdoor subject and recorded color notes, often returning to the scene to revive his memory. In the field he looked through a small adjustable metal picture finder to help frame the subjects in the potential composition. 22 Dudley described his method for painting Night in 1929: “As the shadows darkened I made a pencil sketch on the back of an envelope. 7. A Stormy Evening by Frank Dudley (1868–1957), 1945, oil 31" × 34".
Das Bauhausgebäude in Dessau by Stiftung Bauhaus Dessau